This is just a classic view of a dessert bar in a local shopping mall. I couldn't help but think of a current artist (Thym? or something like that) and his view of the pastery bars in the local bakeries up in NYC. He painted those desserts with such gusto that I could help but be reminded of him when I spotted this scene today. It's a wonderful thing, desserts in restaurants are such delights. Even with the colors used in making and their presentation.
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What Has Worked;

NA Gathering 08

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It was a walk in the woods that I used to do to feed my addiction back when I started feeding it. I use to buy a pack of cigarettes for thirty-five cents at a local country-store then go into the woods with a friend by the name of Tommy Beale my cohort in crime and we smoked them all. We smoked the whole pack between the two of us in one "sitting" or more like "walk in the woods", it's amazing to me that we could do that in just an hour or so without getting really sick. After those early days of not ever getting enough even after half a pack of smokes in a short time, I turned to beer as soon as I got to college. I was legal then but I still couldn't get enough, the one (beer buzz)I was about to have was going to be so much better. And on and on....I couldn't ever get enough and seldom felt good and if I did it was short lived, a few moments at best Last weekend, I walked in the woods with other men who suffer from the disease of addiction, ...
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Lost Mid-Alantic Church in Nelson County

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     This painting was conceptualized once I saw this Church or what remains of it on the side of a country road around here near my home.   It's presence was impressive with its clean white clay brick towers where windows once stood.   One could easily tell that its walls once held a congregation in prayer on any particular Sunday a century ago or so.   Bringing it onto a canvas was a chore.   It had to be painted with care and granted it was an interpretation and hopefully mistakes were forgivable for the sake of memorializing it as a home for the southern culture held within its walls.   I played with the color of it and its fictional background.  It was all for the sake of conveying the spiritual nature of this lost building of worship. 
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Hut for a Blue Tractor and a Red Grass-Cutter

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     Many of these farm structures that I live around out here in Central Virginia near Lovingston are made from wood that has been recycled from earlier farm buildings.   I am almost certain that a lot if it may just go back to the early days of European settlers locating here in Schuyler.   One can just take a quick look and even without carbon-dating one can see that the wood is old and weathered by the elements.   It is very heavy older hardwood that these folks used in making their farm structures.   One can also see how the buildings were shaped for the needs of the farm at a time and then torn down but not discarded but reused again for another purpose..   The sizes of the buildings are small.   They may house one farm implement or two but they are not like those northern Atlantic barns that have lofts and large areas for animals, these buildings are built to suite a single purpose and generally aren'...
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Remains of an Early Virginian Church

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 The old world of European faith was rife with change when new varieties of religion left the old continent for the America's open horizons.   These remains of an older mud stone Church is still here in Central Virginia near where the Lock'n Music festival takes place, only but a mile or so to the east it still stands in its muddy sandstone way.   I didn't find out much more than it was a Church at one time where people placed their wants and needs on the Altar to the keep of a Higher Power.   I don't know what faith these remains belonged to but knowing the society around here it no doubt was a early Virginian Christian Church. 
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The Barn on the Holland Farm

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    This building had been painted earlier, just not from this angle.   I took a top downward look in this composition in oil.    I liked the perspective of the fence running downhill and swooping around into the back of the barn.   I was thinking that I had made an error in judgement when I painted the one side of the barn in shadow, but after working moreso I saw that it seemed to work since the shade is marked with details of the wooden doors, and other details worked out in blues and dark browns.   As they say, getting some distance by letting it sit for a while without me looking at it allowed me to really see that what I had done was ok in fact it worked pretty well.       I feel that this canvas is successful, but its one that a person needs to take a good look at what one is seeing before deciding if it works as a work of art or not.   You don't want to just gloss over it with a quick ...
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