City paintings with Landscape of Central Virginia Where people live and have lived in Central Virginia.
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This is a work that was done on location here in this little college town. It's of a garage that was taken over by a good fellow...he's making a go of it on his own in this little building.
Many of these farm structures that I live around out here in Central Virginia near Lovingston are made from wood that has been recycled from earlier farm buildings. I am almost certain that a lot if it may just go back to the early days of European settlers locating here in Schuyler. One can just take a quick look and even without carbon-dating one can see that the wood is old and weathered by the elements. It is very heavy older hardwood that these folks used in making their farm structures. One can also see how the buildings were shaped for the needs of the farm at a time and then torn down but not discarded but reused again for another purpose.. The sizes of the buildings are small. They may house one farm implement or two but they are not like those northern Atlantic barns that have lofts and large areas for animals, these buildings are built to suite a single purpose and generally aren'...
Many paintings have been posted this past year of 2016 as I completed them, but that time has come to a new vista, I am putting away the oils for a while so I can concentrate on my other job of working with students with various degrees of disabilities. Or what's better known in the trade as my 'day job' that's the one that pays the bills and is meaningful in other ways as well. But I'll be back with more as the time get closer to some Holiday times when I am here all by myself with plenty of spare time to use for art. I will be drawing in the meantime and don't fret I will be back, just not right away. In the meantime here is a photo of my path to my river down below my home, a place of solitude and thanks for all the good the God of my Understanding has allowed me to participate in.
This painting was conceptualized once I saw this Church or what remains of it on the side of a country road around here near my home. It's presence was impressive with its clean white clay brick towers where windows once stood. One could easily tell that its walls once held a congregation in prayer on any particular Sunday a century ago or so. Bringing it onto a canvas was a chore. It had to be painted with care and granted it was an interpretation and hopefully mistakes were forgivable for the sake of memorializing it as a home for the southern culture held within its walls. I played with the color of it and its fictional background. It was all for the sake of conveying the spiritual nature of this lost building of worship.
Friday evening, in days past it was a good reason to get "blasted' or better yet "wasted" in all things done by my friends that one took the priority over everything else. It was all about who had "it", how much was "it" and where is he now? I don't miss the never ending chase after "it" and losing so much money getting "it". I play it out today and it spells out that I no longer am an escape artist about my life. I'm ok being a little sore and a little tired. I don't need anything "for it". Tomorrow I will be in a better space to enjoy my weekend, alert, awake and ready to go by the morning. I will no doubt have a very full day tomorrow and I will remember what I did and how I felt during that day and the day before (today). I'm glad to be ok with that, and I make a daily choice to continue with my quest of learning what I can from whom I choose to ask, "How do you do th...
This building had been painted earlier, just not from this angle. I took a top downward look in this composition in oil. I liked the perspective of the fence running downhill and swooping around into the back of the barn. I was thinking that I had made an error in judgement when I painted the one side of the barn in shadow, but after working moreso I saw that it seemed to work since the shade is marked with details of the wooden doors, and other details worked out in blues and dark browns. As they say, getting some distance by letting it sit for a while without me looking at it allowed me to really see that what I had done was ok in fact it worked pretty well. I feel that this canvas is successful, but its one that a person needs to take a good look at what one is seeing before deciding if it works as a work of art or not. You don't want to just gloss over it with a quick ...
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