Two Nelson roads get scenic designation This is the road I will be located on once I move down there, it will be one great road to explore on bike and later on with easel and palette...lookn forward to it.

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What Has Worked;

Hut for a Blue Tractor and a Red Grass-Cutter

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     Many of these farm structures that I live around out here in Central Virginia near Lovingston are made from wood that has been recycled from earlier farm buildings.   I am almost certain that a lot if it may just go back to the early days of European settlers locating here in Schuyler.   One can just take a quick look and even without carbon-dating one can see that the wood is old and weathered by the elements.   It is very heavy older hardwood that these folks used in making their farm structures.   One can also see how the buildings were shaped for the needs of the farm at a time and then torn down but not discarded but reused again for another purpose..   The sizes of the buildings are small.   They may house one farm implement or two but they are not like those northern Atlantic barns that have lofts and large areas for animals, these buildings are built to suite a single purpose and generally aren'...
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"KIdd's Store: #3"

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I've had troubles getting the lowdown view of this isolated country store w gas and sandwiches to go, the first two paintings were just down the tubes as far as visual interest. This one is better. I took in the outter view of cushion value of distancing around the store itself, and I think I won with a better feel to this scene. The station is buffeted by some space around it and distance too. Its a little better to view when there is some breathing room around it and not jammed into a small canvas space. I like the cars a little better in this one as well as leaving some visual detect-ability of the painting methods I used in creating this version of "Kidd's Store (#3)". Hope your entertained with its intensity and spacial relief.
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Japanese Paintings On Display

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The show is up. Many of my paintings were hung up yesterday, and there was nothing like seeing all of them up and together where I or anyone could see them all together and view them all at the same time. It was quite something. The opening will be this coming Friday evening but they hung them all up yesterday. It was a couple of dedicated women who hung all the work in the gallery. The Virginia Artist In Action has treated me well, they welcomed me into their gallery and have done a good job showing my artwork to the local area. I have nothing but good things to say about them because of their hard work to promote my art. Now I feel like I have to make as many newer paintings as there are hanging on the walls of the VAIA gallery. I'm kind of obsessive about doing paintings and having a good number of new ones accessible to the galleries or otherwise ready to show to the public. I have to learn to be happy with just what I have and what I have spent the last...
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Remains of an Early Virginian Church

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 The old world of European faith was rife with change when new varieties of religion left the old continent for the America's open horizons.   These remains of an older mud stone Church is still here in Central Virginia near where the Lock'n Music festival takes place, only but a mile or so to the east it still stands in its muddy sandstone way.   I didn't find out much more than it was a Church at one time where people placed their wants and needs on the Altar to the keep of a Higher Power.   I don't know what faith these remains belonged to but knowing the society around here it no doubt was a early Virginian Christian Church. 
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Lost Mid-Alantic Church in Nelson County

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     This painting was conceptualized once I saw this Church or what remains of it on the side of a country road around here near my home.   It's presence was impressive with its clean white clay brick towers where windows once stood.   One could easily tell that its walls once held a congregation in prayer on any particular Sunday a century ago or so.   Bringing it onto a canvas was a chore.   It had to be painted with care and granted it was an interpretation and hopefully mistakes were forgivable for the sake of memorializing it as a home for the southern culture held within its walls.   I played with the color of it and its fictional background.  It was all for the sake of conveying the spiritual nature of this lost building of worship. 
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