"The Tavern" but with a little more added

This is "The Tavern" painting taken a few steps further along in its development with my oils.

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What Has Worked;

Remains of an Early Virginian Church

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 The old world of European faith was rife with change when new varieties of religion left the old continent for the America's open horizons.   These remains of an older mud stone Church is still here in Central Virginia near where the Lock'n Music festival takes place, only but a mile or so to the east it still stands in its muddy sandstone way.   I didn't find out much more than it was a Church at one time where people placed their wants and needs on the Altar to the keep of a Higher Power.   I don't know what faith these remains belonged to but knowing the society around here it no doubt was a early Virginian Christian Church. 
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The Barn on the Holland Farm

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    This building had been painted earlier, just not from this angle.   I took a top downward look in this composition in oil.    I liked the perspective of the fence running downhill and swooping around into the back of the barn.   I was thinking that I had made an error in judgement when I painted the one side of the barn in shadow, but after working moreso I saw that it seemed to work since the shade is marked with details of the wooden doors, and other details worked out in blues and dark browns.   As they say, getting some distance by letting it sit for a while without me looking at it allowed me to really see that what I had done was ok in fact it worked pretty well.       I feel that this canvas is successful, but its one that a person needs to take a good look at what one is seeing before deciding if it works as a work of art or not.   You don't want to just gloss over it with a quick ...
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The First Structure in Nelson County of European Settlers

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 I asked this local resident just what that old wooden structure was standing over yonder near some parked cars, she informed me that the wooden stack was the earliest home for Nelson County Residents back in the times when this county was established.   I couldn't believe it, you mean it was of that kind of historical value and it was simply a stand alone building in the backyard of one of Schuyler's residents with no markings of its significant value?   I had to paint it.   So I snapped a photo of it and took it home, then got to work.   Its simply the size of a small compact car only made of weathered wood.      To paint it took little time due to its small size.   I believe I will paint it again due to the feeling that it is owed some more attention that I have given it.   I also cropped some of the building off so I want to include that part in the next painting.
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Hut for a Blue Tractor and a Red Grass-Cutter

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     Many of these farm structures that I live around out here in Central Virginia near Lovingston are made from wood that has been recycled from earlier farm buildings.   I am almost certain that a lot if it may just go back to the early days of European settlers locating here in Schuyler.   One can just take a quick look and even without carbon-dating one can see that the wood is old and weathered by the elements.   It is very heavy older hardwood that these folks used in making their farm structures.   One can also see how the buildings were shaped for the needs of the farm at a time and then torn down but not discarded but reused again for another purpose..   The sizes of the buildings are small.   They may house one farm implement or two but they are not like those northern Atlantic barns that have lofts and large areas for animals, these buildings are built to suite a single purpose and generally aren'...
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Lost Mid-Alantic Church in Nelson County

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     This painting was conceptualized once I saw this Church or what remains of it on the side of a country road around here near my home.   It's presence was impressive with its clean white clay brick towers where windows once stood.   One could easily tell that its walls once held a congregation in prayer on any particular Sunday a century ago or so.   Bringing it onto a canvas was a chore.   It had to be painted with care and granted it was an interpretation and hopefully mistakes were forgivable for the sake of memorializing it as a home for the southern culture held within its walls.   I played with the color of it and its fictional background.  It was all for the sake of conveying the spiritual nature of this lost building of worship. 
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